bookmarkrole Chapter 507 Spring Festival Gala
Chapter 507 Spring Festival Gala
Meanwhile, in the capital's villa district.
The TV in the living room was broadcasting the Spring Festival Gala live, and several elderly people were sitting in the living room making dumplings.
Fu Zhaoning lay in the crib, wearing a bright red onesie embroidered with a golden zodiac dragon whose tail wrapped around her belly from behind, looking adorable.
The little girl held a soft cloth dragon doll in her hand, waved it twice, and then accurately stuffed it into her mouth.
Yang Rong sat on the sofa next to the crib, adding warm water to the baby bottle. Seeing her daughter intently chewing on the dragon tail, the corners of her mouth unconsciously curved up.
She screwed the bottle cap on, tested the temperature on the back of her hand, and then bent down to gently pull the doll out of Zhaoning's mouth.
The little girl pouted, about to protest, when the pacifier was shoved into her mouth. She blinked twice and then hugged the bottle with both of her little hands.
Liu Yan was upstairs changing Jing Chen's diaper.
The little guy was wearing the same bright red onesie as Zhao Ning today, but he clearly didn't like the outfit. He kept kicking his little legs and almost slipped out of Liu Yan's arms several times.
"You better behave yourself."
Jing Chen squirmed in her arms, making dissatisfied grumbling noises. Liu Yan picked him up and carried him on her shoulders, gently patting his back as she walked downstairs.
As she walked into the living room, Fu Jingchen let out a loud burp on her shoulder, then fell silent, his dark eyes scanning the people in the living room.
Yang Rong picked up Zhao Ning, who had finished drinking milk, and patted him to help him burp. She looked up at Liu Yan and said with a smile, "Jing Chen was very well-behaved tonight."
Liu Yan sat down next to her, put Jing Chen down from her shoulder and placed him on her lap, and the little guy immediately reached for the remote control on the coffee table.
"Good boy? Look at him, he doesn't want to be quiet for a moment."
"Zhaoning is better, let's switch."
Yang Rong smiled and gently placed Zhao Ning into Liu Yan's arms, then took Jing Chen from her.
As soon as the little guy was in Yang Rong's arms, he immediately calmed down, opened his eyes wide and stopped moving around.
Liu Yan looked down at Zhao Ning in her arms. The little girl had eaten and drunk her fill and was rubbing her eyes sleepily, her long eyelashes like two small fans.
She couldn't help but kiss Zhao Ning's forehead, and a faint milky fragrance wafted out.
"Did we switch babies?"
Why is Jingchen so well-behaved in your arms, but so mischievous with me?
"That's possible~"
Yang Rong joked.
CCTV Studio One.
In the group crosstalk performance "Small Chorus," the singers playfully tease each other, delivering their punchlines cleanly and effectively.
The piano duet by Wang Leehom and Li Yundi, featuring "Golden Snake Dance" and "Descendants of the Dragon," was the first climax of the entire evening. The two pianos were placed side by side in the center of the stage, and the collision of classical and popular music drew screams from the young audience.
Sa Dingding's "All Things Grow" is ethereal and eerie. She stands in the center of the stage, dressed in ethnic costume, and her voice has an indescribable sense of mystery as it echoes in the studio.
In the skit "The Net of Heaven is Vast," Cai Ming, Wang Ning, and Chang Yuan worked together fairly well, but the jokes were rather traditional, and the audience's reaction was lukewarm.
Fu Yibai clapped along from the sidelines, but in his heart he found it quite boring.
The costume design for the dance "Dragon and Phoenix Bring Auspiciousness" was very thoughtful, the lead dancer's movements were clean and crisp, and the formations of the ensemble dancers behind him were complex and precise.
Fu Yibai found the performance quite pleasing to the eye.
After the short film "Going Home for the New Year" finished, Chen Kun's "It's Been a Long Time Since I've Been Home" brought tears to the eyes of several audience members in the back row.
Song Zuying's "Calling Out to Mom and Dad" followed immediately after, and the two songs shared a similar emotional tone, bringing the atmosphere from enthusiastic to warm.
One program after another went by. These programs were quite lively, but none of them satisfied Fu Yibai.
Especially language-based programs.
This year's Spring Festival Gala was missing the most anticipated Zhao Benshan, and the other comedy sketches were quite mediocre, with the jokes feeling forced and contrived.
Fu Yibai patiently endured several shows until the opening of "Today's Happiness," when Shen Teng's iconic round face appeared on the side of the stage, at which point he finally refocused his attention on the stage.
Shen Teng's performance was exactly the same as he remembered.
His cheeky smile and deliberately drawn-out tone of voice—every expression was designed to precisely tickle the audience's funny bone.
Huang Yang and Allen's teamwork was seamless, and their sense of rhythm was just right.
Laughter erupted from the audience in waves.
Fu Yibai's eyes were fixed on Shen Teng.
The Happy Twist team, which is currently still performing plays in the Haidian Theater, will become a golden brand of Chinese comedy films in a few years.
"Goodbye Mr. Loser," "Never Say Die," and "Hello Mr. Billionaire" are all box office bombs, and Shen Teng himself will become a box office draw for Chinese comedy films.
They are currently in the stage of gaining recognition through the Spring Festival Gala.
Fu Yibai is already considering bringing this future king of comedy under his wing.
Wang Fei and Eason Chan's "Because of Love" brought the atmosphere back to a lyrical mode, Liu Qian's magic tricks drew gasps from the audience in the back rows, and Feng Gong's crosstalk skit "Love's Designated Driver" continued to contribute the essential golden lines of the Spring Festival Gala.
Fu Yibai sat in the audience, clapping when he was supposed to and smiling when he was supposed to.